His debut solo album, largely instrumental, that introduced neoclassical metal and earned a Grammy nomination. It set the template for shred guitar.

His second album, with more vocal-driven songs alongside the instrumentals, fronted by singer Jeff Scott Soto.

A tighter, song-focused record with Mark Boals on vocals, balancing melodic metal and dazzling solos.

His most commercially successful album, with singer Joe Lynn Turner and the hit "Heaven Tonight".

A more melodic, polished album recorded with vocalist Goran Edman after Malmsteen recovered from a serious car crash.

A number-one debut in Japan, again with Goran Edman, blending hard rock with baroque flourishes.

A heavier return with new singer Michael Vescera, praised for its energy and guitar work.

A dense, aggressive album that leans hard on speed and classical motifs, again with Michael Vescera.

A covers album of the songs that shaped him, from Deep Purple and Rainbow to Kansas and Scorpions.

A dramatic, emotional record with singer Mats Leven and drummer Cozy Powell on several tracks.

A full classical concerto for electric guitar and symphony orchestra, recorded with the Czech Philharmonic.

A concept-tinged album with singer Mark Boals returning, blending storytelling with virtuoso playing.

A heavy, fast album with singer Mark Boals, dense with neoclassical runs.

A hard-hitting record introducing singer Doogie White, who would stay for years.

A long, ambitious double-length album with Doogie White, packed with guitar showcases.

A powerful album with former Judas Priest singer Tim "Ripper" Owens on vocals.

A quiet, all-instrumental album of his ballads reworked for classical and acoustic guitar.

A raw, guitar-heavy album with Tim "Ripper" Owens, tied to a reality-TV series about the band.

An album on which Malmsteen handles almost all the vocals and instruments himself.

Another one-man record, written, played and sung entirely by Malmsteen.

A blues-rock album of covers and originals, showing a looser, roots-oriented side.

A largely instrumental return to full-throttle neoclassical metal, showcasing his technique.