The self-titled debut that laid out the trio's sound: acoustic ragtime, folk and country blues played with punk energy and no drummer.
The scrappy second record, rooted in old-time string-band music and hard-luck storytelling drawn from the band's early touring years.
The breakout album that widened the audience, pairing sharp songwriting about vice and hard living with tight banjo-and-bass playing.
Produced by Buddy Miller, this record fills out the arrangements and became the band's first to reach the Billboard 200.
A covers album split between songs of sin and songs of salvation, with guest turns from players like Emmylou Harris and Duane Eddy.
A deliberate step forward that adds drums and heavier production, moving the trio toward a fuller, more electric sound.
The band's return after several years away, circling back to its acoustic roots while keeping the wider palette of recent records.
