
Put out on Oleg Nesterov's Snegiri label after circulating hand to hand, it set the band's blend of electronic pop and Kirill Ivanov's poetic lyrics.

A large-ensemble collaboration with seventeen musicians that Afisha named the year's best Russian-language album.

Released in November 2011 as the group pared down to a trio, tightening its synth-pop songwriting.

A summery record tied to a children's camp, its single 'Идеальное место' filmed on location there.

Made with Igor Vdovin and singer Nadya Gritskevich, it won the Steppenwolf award for album of the year.

Recorded after guitarist Anton Khabibullin and drummer Oleg Zanin joined, giving the songs a fuller band sound.

Rated 7.5 by Afisha and launched with a concert-performance at Moscow's Izvestia Hall.

Produced by ex-Pompeya keyboardist Alexander Lipsky, with guests Nadya Gritskevich, Thomas Mraz and a children's choir.

A synth-pop set that The Flow ranked among the ten best albums of its year.

Another electronic-pop record that The Flow placed among its fifteen best albums of the year.

An experimental mini-album of three new tracks plus remixes, featuring rapper Kotzy Brown and a trip-hop turn on 'В покое'.

A musical audio fairy tale after Pavel Pepperstein, written by Kirill Ivanov with Oleg Glushkov and voiced by Gudkov, Lapenko and others.

The music-only edition, collecting the fairy tale's original score and fifteen new SBPCH songs apart from the narration.

Released in November 2022, a darker record Kirill Ivanov described as a premonition come true.

Nine warmer, lighter songs after the bleak 2022 record, with guests Aigel and Mikhail Fenichev of 3H Company.