The psychedelic debut written almost entirely by Syd Barrett, full of whimsical songs and space-rock jams like "Interstellar Overdrive".
The transitional second album where David Gilmour joined and Barrett departed; its extended title track pointed toward the band's later long-form pieces.
A soundtrack to Barbet Schroeder's film, mixing acoustic folk with heavier electric pieces - the band's first full record without Barrett.
A double set split between a live disc and a studio disc where each member contributed a solo composition.
Built around a side-long orchestral suite written with composer Ron Geesin, an ambitious step into large-scale arrangements.
A leap forward crowned by the 23-minute "Echoes", which fills the whole second side and foreshadows the band's classic era.
A soundtrack to the film "La Vallée", recorded quickly and leaning on concise, song-based material.
A concept album on stress, time and mortality that became one of the best-selling records ever, with "Time", "Money" and "Us and Them".
A meditation on absence and the music industry, built around the suite "Shine On You Crazy Diamond" dedicated to Syd Barrett.
A dark, Orwell-tinged record dividing society into dogs, pigs and sheep across a handful of long, guitar-driven tracks.
A double rock opera about isolation and fame, later a film, carrying "Another Brick in the Wall" and "Comfortably Numb".
A bleak album dominated by Roger Waters and centred on war and loss, the last Pink Floyd record he made with the band.
The first album after Waters left, led by David Gilmour and marked by the polished production of its era.
A Gilmour-led album about communication and estrangement, notable for the instrumental "Marooned" and "High Hopes".
A largely instrumental farewell built from 1993 sessions, conceived as a tribute to keyboardist Richard Wright.