
Recorded at Andrei Tropillo's studio, melodic art rock still leaning on rock'n'roll, blues and beat.


The band's first official Melodiya vinyl, home to "Иероглиф" and "Великан", even folding in a Bach piece.

Cut in Moscow for Melodiya with engineer Svyatoslav Obraztsov, darker and richer in sound.




Made after Evseev and Klyuchantsev left, an eastern-flavoured, meditative turn in the band's art rock.


A harder, electronic record made together with the elusive project Sekta MO.

Draws on Egyptian myth, with a purpose-built "neo-Egyptian" instrument voicing the title track.

A dark, atmospheric album deepening the band's mystical imagery of the outsider.

Its opener "Серебра!" topped the Chartova Dyuzhina chart; a set probing media and illusion.

A gothic collaboration with Vadim Samoylov, the disc even bundling animation.

A sequel steeped again in Egyptian imagery and ritual sound.

A theatrical, allegorical album whose title track anchored the tour that followed.

Dark and jazz-tinged, its title song went into rotation on Nashe Radio.

A hypnotic, mantra-like album of repetitive, ritual art rock.

Eleven theatrical songs staging the band's taste for the grotesque and the absurd.

A decadent, romantic album leaning into cabaret-tinged theatricality.

A mystical album built around the figure of the wandering outsider.

An expansive album continuing the band's dark, symbolic art rock.

Cabaret-flavoured and theatrical, released on Edmund Shklyarsky's birthday.

A grand, symphonic-rock album swelling the band's sound to orchestral scale.

A darker, restless album gathering eleven new songs plus four extra tracks.

Presented at Vyborg Castle, another chapter of the band's enduring art rock.
