The multi-platinum debut fusing pop-punk with dance-pop and cabaret theatrics, home to the breakout hit "I Write Sins Not Tragedies".

A sharp turn toward 1960s Beatlesque pop, warm and orchestral, opening with "Nine in the Afternoon".

Recorded as a duo after two members left, a glossier record led by the single "The Ballad of Mona Lisa".

A synth-driven set steeped in Las Vegas nightlife, carrying "This Is Gospel" and "Miss Jackson".

The first album Brendon Urie made alone, blending Sinatra-style swing with arena pop; it topped the US chart.

A brass-driven pop record built for stadiums, powered by the smash "High Hopes" and "Say Amen (Saturday Night)".

Recorded live to tape with a glam and power-pop sheen, the project's final album before Urie closed it.