Ozzy's solo debut after Black Sabbath, built on the playing of guitarist Randy Rhoads. It carries the classics 'Crazy Train' and 'Mr. Crowley'.
The second album and the last one recorded with Randy Rhoads, who died the next year. Heavier and more ambitious than the debut.
His first record after the death of Randy Rhoads, with Jake E. Lee on guitar. The title track became one of his signature songs.
A polished, radio-minded metal album, again with Jake E. Lee. It sold well, though Ozzy later spoke of it coolly.
The album that introduced young guitarist Zakk Wylde, whose sound shaped Ozzy's records for years. Harder and darker than its predecessor.
His most successful solo album, mixing heavy songs with the ballad 'Mama, I'm Coming Home'. Zakk Wylde is again on guitar.
A studio return after a short retirement, with Zakk Wylde and bassist Geezer Butler of Black Sabbath. It leans on big, layered production.
His first album of new songs after years of touring and the Ozzfest festivals. Modern heavy rock with a large session band.
An album of covers of the 1960s and 1970s rock songs Ozzy grew up on, from the Beatles to Mountain. A tribute rather than new material.
His first studio album written and recorded sober. Heavy and contemporary, with Zakk Wylde still on guitar.
The album where Greek guitarist Gus G replaced Zakk Wylde. A loud metal record with a modern sound.
A late-career comeback produced by Andrew Watt, with guests including Elton John, Post Malone and Slash. Warmer and more reflective than his eighties work.
His final studio album, again with Andrew Watt and a line of guest guitarists - Jeff Beck, Eric Clapton, Tony Iommi. It won the Grammy for Best Rock Album.