Песни под гитару · 1985
Solo acoustic bard songs for voice and guitar, the lyrical material Makarevich kept apart from Mashina Vremeni.
Solo acoustic bard songs for voice and guitar, the lyrical material Makarevich kept apart from Mashina Vremeni.
Fifteen songs in a Russian-rock vein, Makarevich's solo studio work made outside the band.
Fifteen tracks on the border of author's song and blues-rock, guitar lyricism away from the band.
Recorded with jazz saxophonist Alexei Kozlov: sixteen Soviet-era yard and urban-romance songs in a loose jazz treatment.
A covers set of tunes dear to Makarevich, popular and yard songs from the Soviet years he grew up on.
Made with the band Paporotnik, love songs written and sung from a woman's point of view.
The soundtrack Makarevich wrote for Dmitry Astrakhan's film of the same name, whose lead character is a musician.
The record that opened his side-project Orkestr Kreolskogo Tango, turning his songs toward jazz, blues and bossa nova.
A concert album with Orkestr Kreolskogo Tango, his songs reworked in a live jazz reading.
Bulat Okudzhava's songs reimagined with Orkestr Kreolskogo Tango in a warm jazz idiom.
A tribute Makarevich produced to his late friend Gennady Ni-Li, an amateur bard who died before it appeared.
Another jazz outing with Orkestr Kreolskogo Tango, his songwriting set against blues and Latin grooves.
Forgotten Jewish-American jazz tunes from 1920s charts, arranged as salon jazz rather than clarinet klezmer.
Released for his sixtieth birthday, sixteen mostly solo-guitar songs with sharp social and topical lyrics.
A jazz album with Orkestr Kreolskogo Tango, his melodies wrapped in blues and bossa-nova textures.
Thirteen songs by Alexander Galich, performed by Makarevich in homage to the dissident bard.
Mashina Vremeni songs reworked as jazz with Petersburg guitarist Ildar Kazakhanov, full of guitar improvisation.
A second helping of the Jewish-American jazz project, more rediscovered melodies in the same salon-jazz style.
Recorded with his jazz quintet Yo5 (Borets, Khutas, Tkebuchava), pairing his songs with an improvising band.
The third installment of the Jewish-American jazz series, continuing its vintage salon-jazz repertoire.
The album he made in Israel with local musicians after emigrating, reflecting on exile and refuge.
