The debut that defined nu metal for a generation, welding rap, metal riffs and electronics on hits like "One Step Closer", "Crawling" and "In the End".
A tighter, harder follow-up that cemented the band's global fame, carrying "Somewhere I Belong", "Numb" and "Faint".
A deliberate turn away from nu metal toward broader rock and political themes, produced by Rick Rubin, with "What I've Done" and "Shadow of the Day".
An experimental concept album leaning into electronics and atmosphere, its songs tied together by spoken-word interludes.
A record that balanced the band's electronic experiments with the directness of its earlier sound, blending the two into radio-ready songs.
A loud return to guitars and aggression, conceived as a rebuttal to soft mainstream rock, with "Guilty All the Same" and "Final Masquerade".
A pop-leaning, emotionally open album and the last with Chester Bennington, whose title track became an elegy after his death that year.
The comeback album introducing vocalist Emily Armstrong, reconnecting the band's heavy roots with a fresh voice after a seven-year silence.
