The band's debut album on Lookout! Records, capturing their early East Bay pop-punk before the world took notice.
The last independent record before the major-label jump, tighter and faster, hinting at the songwriting to come.
The major-label breakthrough that sold tens of millions and pushed pop-punk into the mainstream, with "Basket Case" and "When I Come Around".
A darker, faster follow-up to Dookie, leaning into raw energy and abrasive hooks.
A varied record stretching beyond punk, best known for the acoustic ballad "Good Riddance (Time of Your Life)".
A more acoustic, folk-tinged turn that divided fans before the band's next reinvention.
A politically charged rock opera about disillusioned youth in Bush-era America, home to "Boulevard of Broken Dreams" and the nine-minute "Jesus of Suburbia".
An ambitious second rock opera in three acts, expanding the scale and production of American Idiot.
The first part of a power-pop trilogy, returning to short, punchy songs after the operatic albums.
The garage-rock middle chapter of the trilogy, looser and rawer than its predecessor.
The reflective closing chapter of the trilogy, named after drummer Tré Cool.
A self-produced return to urgent, guitar-driven punk after a four-year gap.
A short, glam- and garage-flavored record that leans on falsetto and fuzz.
A reunion with producer Rob Cavallo that revisits the band's classic punk and rock-opera strengths.