His debut, recorded with the Gary Moore Band. A raw fusion of blues, rock and jazz built around long guitar workouts.
His first proper solo album, home to the classic 'Parisienne Walkways' sung by Phil Lynott. Melodic rock with fusion touches.
A hard rock statement with a strong melodic streak, backed by Ian Paice on drums. It set the template for his eighties sound.
A harder, keyboard-tinged hard rock record with sharp guitar work. The title track and 'Empty Rooms' became live staples.
Recorded in 1980 but released later, a lean and heavy hard rock set. Fast, guitar-driven and short on frills.
A polished hard rock album featuring 'Out in the Fields', his last collaboration with Phil Lynott. Big choruses and radio-ready production.
A Celtic-tinged rock album shaped by his Irish roots and dedicated to the late Phil Lynott. Anthemic and drum-machine driven.
A hard rock album with Celtic and metal edges, the last before his full turn to the blues. Ozzy Osbourne guests on one track.
The blues album that redefined his career and became his biggest seller. The title track is his best-known song.
A confident follow-up in the blues vein, with guests B. B. King and Albert Collins. Warm, band-driven and assured.
A tribute album of Peter Green songs, played on Green's own Les Paul. Reverent, guitar-first blues.
A surprising turn away from the blues toward moody pop, rock and electronic textures. His most experimental nineties record.
An adventurous mix of blues with dance rhythms and electronics that divided fans. Bold, and unlike anything else he made.
Exactly what the title promises: a return to straight, traditional blues after his experiments. Comfortable and heartfelt.
A loud, guitar-heavy blues rock album with a raw live feel. Among his most muscular later records.
A relaxed blues set mixing originals with classic covers, balancing ballads and slow burners. Understated and mature.
More blues in the same vein, leaning on covers of old standards alongside his own songs. Loose and road-worn.
His last studio album released in his lifetime, a robust blues rock record. Confident playing from a master of the form.
A posthumous album of previously unreleased studio recordings from his blues years. A late gift from the vaults.