His self-titled solo debut, cut with the Delaney & Bonnie band and touched by American soul and country. It gave him the hit reading of J.J. Cale's "After Midnight".
A comeback after years lost to addiction, loose and laid-back, led by his chart-topping cover of Bob Marley's "I Shot the Sheriff".
A follow-up in the same mellow vein, leaning into reggae and gospel textures with the touring band from the previous record.
Made at The Band's Shangri-La studio with a host of guests, including Bob Dylan, who co-wrote and sang on one track.
One of his best-loved albums, home to "Wonderful Tonight", "Lay Down Sally" and his hit cover of J.J. Cale's "Cocaine".
A relaxed set closing out the seventies, best known for the gentle single "Promises".
His last album for RSO Records, a steady blues-rock outing carried by the single "I Can't Stand It".
A fresh start with a new band and guitarist Albert Lee, spry and blues-based, featuring "I've Got a Rock 'n' Roll Heart".
Produced in part by Phil Collins, a polished eighties record that balances moody ballads with radio-friendly rock.
Again with Phil Collins, brighter and brass-driven, home to "Behind the Mask" and the duet "Tearing Us Apart".
A return to form spanning blues, rock and pop, with the hits "Bad Love" and "Pretending" and a deep roster of guests.
An all-blues covers album and a heartfelt tribute to his heroes, cut live in the studio and hailed as one of his finest.
An introspective, heavily produced record built on programmed rhythms and lush arrangements, more personal than most of his work.
A warm mix of originals and covers dedicated to his late uncle, blending blues, soul and the vocal group The Impressions.
A studio album of Robert Johnson covers, repaying a lifelong debt to the Delta blues legend who shaped his playing.
His first album of new original songs in years, mellow and domestic in mood, reflecting settled family life.
An eclectic set roaming from blues and rock to jazz and pop standards, relaxed and unhurried in feel.
A loose collection of favourite covers and a couple of originals, easygoing and full of guest musicians.
A reunion with producer Glyn Johns, returning to blues and roots material with a warm, unforced sound.
A Christmas album done his way, reworking carols and holiday standards in a bluesy, guitar-led style.
