Не в фокусе · 1997
His first solo work after leaving Malchishnik, raw and confessional, with 'Дилер' about drug dealing and 'Война'.
His first solo work after leaving Malchishnik, raw and confessional, with 'Дилер' about drug dealing and 'Война'.
Home-recorded and built on samples, softening toward themes of faith, hope and love; the video for 'Дверь' entered MTV rotation.
Recorded in two weeks back in 1998 and held until 2000, carrying his poetic art rock through 'Решения' and 'Кран'.
Dense and brooding, built with engineer Shevtsov and bassist Chernikov around imagery of woven fabric.
Made for Universal with producer Mewark, closing on the bonus track 'Глаза' sung with American vocalist Stella.
Cast in a 1980s style with music by guitarist Dodonov, which the author described as a record about and for children.
His first album with no rap-style recitation at all, split into two parts and made with Dodonov and engineer Ibragimov.
A text-centred album whose songs read like synopses of short films, with new drummer Govorun and Dolphin himself on keyboards.
Nine tracks he framed as his most accessible and plainly stated material, made with guitarist Babko and drummer Yakovlev.
All its tracks are titled with numbers, an irritated commentary on events at home and in the world.
Seven tracks on label M2 turning inward to personal turmoil, a counterpart to the outward politics of 442.
Nine songs drawing on synth-pop, post-punk, noise and shoegaze, its cover a 1955 photograph by Grace Robertson.
His first fully instrumental album, an ambient-electronic set on label M2 with no vocals or lyrics.