Вернись в Соренто · 1988
Post-punk and new wave from the band's formative years, with Sergei Rogozhin still sharing lead vocals.
Post-punk and new wave from the band's formative years, with Sergei Rogozhin still sharing lead vocals.
Experimental art-rock laced with Eastern motifs and fantastical imagery, met with mixed reactions at the time.
The band's first professionally recorded set, turning toward Dmitry Ozersky's more metaphysical, oblique lyrics.
Darker, more improvisational material cut at Stas Namin's studio with a toughened rhythm section.
A raw, improvisational album also issued under the milder title "Duplo" to sidestep its blunt name.
A spare, poetic collaboration with Alexei Khvostenko that Fyodorov counts among the band's finest work.
An uneven album whose song "Doroga" later reached a wide audience through the film "Brat 2".
A collaboration with Khvostenko that sets the futurist poetry of Velimir Khlebnikov to music.
A jazz-rock set captured live in the studio without overdubs, reworking songs into extended concert versions.
An art-rock album from the band's mid-2000s stretch, about which little has been documented.
Recorded in New York with Marc Ribot, John Medeski and bassist Vladimir Volkov, marking wide international recognition.
Cut in eleven days in Moscow with Vladimir Volkov and trumpeter Yuri Parfyonov, back to a Russian lineup.
Avant-rock built on Leonid Fyodorov's oblique songs and the group's characteristic brass and layered arrangements.
An avant-rock album continuing Fyodorov's cryptic songwriting with the ensemble's brass-inflected sound.
An avant and jazz-rock set among trumpeter Yuri Parfyonov's final recordings, released after his death.