The international debut compiling tracks from the first two Australian records; raw blues-rock and Bon Scott's snarl, with "T.N.T." and "It's a Long Way to the Top".
A rowdy early album full of streetwise humour, from the title track to "Big Balls" and "Problem Child".
A harder, louder statement built on long guitar workouts like the title track and "Whole Lotta Rosie".
A gritty, riff-driven record often named a fans' favourite, with Cliff Williams new on bass.
The Mutt Lange-produced breakthrough that turned them into global stars; the last album with Bon Scott.
Recorded after Scott's death with new singer Brian Johnson, it became one of the best-selling albums ever, carrying "Hells Bells" and "You Shook Me All Night Long".
The follow-up to Back in Black, crowned by its cannon-firing title anthem.
A stripped-back, self-produced album returning the band to a rawer sound.
A mid-decade record the band produced themselves, leaning on hard, direct rockers.
A major comeback produced by Bruce Fairbairn, powered by "Thunderstruck" and "Moneytalks".
A back-to-basics album with Phil Rudd back on drums, produced by Rick Rubin.
A long-awaited comeback and a huge seller, led by the single "Rock 'n' Roll Train".
A lean, punchy album, the first without Malcolm Young, who left due to illness.
A return dedicated to Malcolm Young, reuniting the Black Ice lineup around "Shot in the Dark".