
The writer's first book: a cycle of stories told in the first person by a worldly soldier back from the war, in his own plain and crooked speech. This is where Zoshchenko found the skaz manner that would define him, letting a character give himself away by the way he talks.

A handful of novellas about small people on the fringes of the new Soviet life, narrated by the dim writer Kolenkorov, who still pines for the old days. A parody of sentimental prose with a bitter grin at the age behind it.

An aging professor sets out to make himself young again by force of will and overturns his whole life. The tale is threaded with the author's own scientific notes on the body, the nerves and health, an attempt to fuse fiction with popular science.

A gathering of short stories arranged in five sections: money, love, treachery, failures and remarkable events. Zoshchenko retells episodes from every century and country in his plain everyday language, reducing grand history to simple human weakness.

An autobiographical book in which the writer tries to trace the root of his own melancholy, sifting through memories back to earliest childhood. An attempt to cure himself by taking his own life apart, for which he was harshly condemned.

A short comic story about a monkey that escapes from the zoo, wanders among people for a while and goes back. A harmless tale that became the pretext for a crushing campaign against its author. Given here in the collection Nervous People and Other Satires, which includes it.