
Swift's first major satire, a wild, digressive book that mocks the vanity and squabbles of learning and religion through the tale of three brothers and their father's will. Dazzling and deliberately chaotic, it announced a writer who would spare nothing and no one.

A short mock-heroic satire, published alongside A Tale of a Tub, that stages a literal battle in a library between the ancient authors and the modern ones. Swift's witty answer to a real quarrel of his age about whether the old masters or the new were the greater.

A series of pamphlets Swift wrote in the guise of a modest Dublin draper, rousing Ireland against a corrupt scheme to flood the country with debased coin. Plain, fearless and hugely effective - political writing that actually changed the course of events.

The famous voyages of Lemuel Gulliver to lands that hold a mirror up to our own - the tiny Lilliputians, the giants of Brobdingnag, and stranger places still. It can be read as a children's adventure or as ferocious satire on politics and human nature, and it works completely either way.

The most savage satire in English: a calm, statistical pamphlet that proposes, in the reasonable tone of an economist, a monstrous solution to Irish poverty. The horror is the point - Swift makes cold logic itself the target. Short, unforgettable and still studied as the model of irony.

Not fiction but a bundle of intimate letters Swift sent from London to his closest friend, Esther Johnson - his Stella - full of daily news, gossip, tenderness and a private, playful language for two. A rare, warm glimpse of the fierce satirist off duty. Published long after his death.